Photo documentation of autumn and winter landscape captures the same object just one day apart, demonstrating the elusive transition from autumn to winter. The coloured sand acts as a kind of ‘time marker’: due to its fragility, it crumbles easily, and if more time had passed, the colour would not have remained so rich. It is this detail that confirms how short a gap separates two visually almost incomparable landscapes. The sand helps to ‘fix’ the moment of the change of season, as if trapping it, because nature changes rapidly and almost imperceptibly to the eye.

The winter scene puts the work into a different visual context. Snow hides branches and trunks, concealing their complex geometry and natural architecture. The coloured sand becomes a tool to reveal shapes and lines that usually remain invisible to the human eye.

Colour does not decorate, but helps to focus on the geometry of the forest, revealing its intricate weaves and creating a new perspective on the winter silence.